L’Amour
First came marriage, and then the funeral.
My father was declared dead on scene,
or at the exact moment an eight-wheeler
disintegrated three thousand pounds
of metal, my daughter was born
before I could receive the news; a ten
minute window where decades
of frozen hourglass
sunk in rough waters.
I brought home a dreary bed of roses
with an excellent red, but I could only
think of wine and blood; in that order.
It wasn’t her fault, one hospital exchanged
for another, and as nurses bloomed
wildflowers along steep ridges & nomadic
goats looked over wayward barns
as eagles do freeways, it struck me
that my father was gone.
We lifted her high, and she began
mimicking passenger jets & torrential
rain brewed scents like hot tea;
all the flowers, all the flower petals
flew winds amidst winter chill.
She cries
& I believe for a moment
it’s for my father.
I’ll tell her stories of him when the dying sky
resembles greasy pork
and the blurry stars are complimented
by a tulip moon. I may be talking about God
for all she knows, or the Louvre, aisles
of great artists lost to fire.
There will come a day when we dip our fingers
in the allusive chamber of memories
& it may be odd that her birthday
will be preceded by a visit to a cemetery
an arduous hike to a tree that has survived
to bury its son
but like birdsong
she will know him by a love
neither of us knows where
comes from.
Brandon Shane is an alum of California State University, Long Beach, where he majored in English. He’s pursuing an MFA while working as a writing instructor and substitute teacher. You can see his work in Acropolis Journal, Grim & Gilded, All Existing Magazine, Bitterleaf Books, Remington Review, Salmon Creek Journal, BarBar Literary Magazine, Discretionary Love, among others. Find him on Twitter @Ruishanewrites